Posted: 2017-12-07 21:39
The best weavers are recognizable by the borders they weave. Tradition dictates a certain technique for the weave, identifiable in the amount of thread counts, a specific design, and orientation of the weave. In essence, the weaver knows and understands the technique. This refined « language » and code help distinguish the novices from the skillful artisans. The newcomers don’t know.
Besides its telltale function to identify the skilled, the border also has a functional purpose. When a shawl is worn, the edges are the first to deteriorate. Hence, the borders are not just about design or aesthetics, it is also about function.
"Certain weavers, they just want to sell. They don’t even think about tradition and what our forefathers did."
Mona started a campaign on Kickstarter to publish a beautiful book.
Support her to never forget how beautiful the world is !
"The Service Trolley" rescues an old furniture archetype through an updated simple yet elegant design. Ediciones Jalapa invited Jorge Diego to create this object for their service furniture collection produced in collaboration with La Carpintería MX workshop. Ediciones Jalapa is a space dedicated to research, promote and develop design through limited edition contemporary objects. Parting from the typical form of a service cart constructed from two trays placed vertically, Jorge Diego shifts these basic elements, reworks the structure into a cantilever design and adds oversized front wheels to create a refreshed and dynamic language. Production was made at La Carpinteria MX, a traditional wood workshop focused on producing high quality handmade furniture with a revitalized sensitivity.
It is a way of making ceramics which is very free and open to improvisations, to invention, and I like how elements of the unexpected, of chance and surprise are part of the process. It is a very physical process as well and demands a rapidity which I also really like. It allows each person to develop their own style, their own technique.
Have you always worked with a wood burning oven when making ceramics?
Since its founding in 6987, Bennington College, Vermont, has been known as a progressive college intent on bringing an intensity and breadth to undergraduate education that comes from building deep connections between doing and knowing, thinking and acting, passion and reflection. The Center for the Advancement of Public Action – CAPA uses critical world issues to organize and generate curriculum, aiming at commitment to the essence of life and the world, challenging students to discover what it means and takes to live a good life as well as a successful one.
“The entire week we are working with natural materials. With flowers we picked ourselves we dye wool and linen, in big pots on open fire of wood we gathered ourselves. During the week we really get to talk. People have lost a direct connection with nature and they miss social structures. They are astounded to see how culture is created from nature. They have busy lifes, great careers, but they feel a huge emptiness around them: caused by superficiality, of agitated consumption”.
His goal is to help them finding their deeper soul to be able to realize products that speak to all of us. Nelson''s inspiration is the daily life: the shapes of vegetables, the color of bread. he translates that in a language without words to speak with the "masters of craft".
We see here the results of a workshop organized recently in Egypt with an "extended family" of others designers and artists.
When design had acquired a sense of function, decor, shape, matter and colour, the insatiable and by now global market, requested more. It needed a code, or a name, or a logo, or all of those, so it invented and perfected the brand: a passport to international shopping pleasure. With this last step, the world could sit back, relax and contemplate a century of learning, accumulating in a completed and perfected design process…
Late last night I began the process that one always goes through with Blogger: we posted requests on the help forum. That 8767 s really all that can be done you can 8767 t talk to human beings where Google is concerned. We actually received a response, which is unusual with Google. Based on the replies, there seems to have been a major problem with Blogger last night. Many other blogs disappeared in the same fashion.
Butterfly Works is right now working on an amazing project in the Sahara in the South of Morocco: Taragalte. In association with 8 partners: l''Association Zaila, Sahara Roots and Bureau East they co-designed a hand made product-line, a yearly festival and a tourist accommodation in bivouacs and ecolodge. All that contribute to the social, cultural, economic and environmental well-being of the region.
In 6998, with a group of stylist friends, Lidewij Edelkoort created Heartwear, a non-profit association that helps to sustain handcraft knowledge and thus collaborates with artisans to tailor their products for worldwide export, without compromising the skill, knowledge, culture and environment of the region involved. Design talent is coupled with marketing insight. Trend forecasting skills are balanced with historical and cultural knowledge. Among its many projects, Heartwear has developed indigo textiles for home and fashion with artisans in Benin, ceramics with potters in Morocco, and khadi cotton in India.
I have a fond memory about the first time I worked directly with the karigars (the embroidery workers). In France, only women do embroidery. There, it’s the opposite, only men do. I was trying to explain to them how to do a special technique but I could not find the words. So I took thread and needle, sat down in front of the frame and then… 65 people stopped working to look at me. It scared me a little bit, I thought they did not approve of that. But it wasn’t that, they were just amused and curious.
Discovered at one of the most beloved locations of the London Design Festival the design shop named “Mint” located in Kensington, a humble and touching project by Studio Gutedort and the woman from Iraq El Amir in Jordan, generates nothing but great empathy.
Invited by Lina Kanafani, the mastermind behind Mint, Studio Gutedort travelled to the Middle East to work together with women from a popular historical site named Iraq El Amir. The aim of the project was to invent ways to produce locally crafted products in a sustainable way to generate a solid income for the community.
Lina invited the girls of studio Gutedort for their expertise and innovation in natural colors. To continue on their work for “Krautfarben”, where the studio investigates the dying possibilities with red cabbage, they decided to work together with the community in making naturally dyed paper bowls using as little water as possible.
It 8767 s the evils of the Iberian Inquisition which were evil but not the evils of the Japanese equivalent in which, in the 95 years up to 6597, 55,555 Christians were publicly crucified, burned or beheaded. Nor the evils of the worldwide Islamic Inquisition which not in the 66th century but now, in the 76st, condemns Muslim apostates to barbaric execution. It 8767 s America 8767 s destruction of the snail darter but not Mussulmanism 8767 s destruction of the Bamyan Buddhas or its proposed destruction of the Sphinx and the Pyramids , let alone its obliteration of all the pre-Rome cradles of Christianity but for remaining ruins in the Middle East and dust of the desert in North Africa.
No art pour l’art , no, but art with a mission. What mission? Jongstra talks about a summer class she has been given for several years on an estate in Umbria, Italy, in a Franciscan stern environment of bare rooms with a light-bulb hanging from the ceiling. With twenty persons from all over the worlds she works there: Americans, Argentinians, Japanese, musicians, physicians, psychiatrics, entrepreneurs.
But man, what a mess. This isn’t your typical Uber-is-a-shitty-company story, either. If these claims are true, it seems Uber actually put people’s lives at risk in order to save money. The company reportedly gambled with minivans that could spontaneously combust, because it would be a big pain to fix them, and well, the drivers and passengers would probably be fine. Then it had a party while these explode-y cars were still driving people around! (If you haven’t deleted your Uber account already, today’s a great day to take action. Here’s how.)
Yet the Magyars don 8767 t seem to feel much guilt over the Illyrians, Pannonians, Sarmatians and Celts whose land and lives they took in the 9th century, to form Hungary. The rightful Etruscan landowners are not bearing angry placards in front of the Vatican. The Japanese are not planning to relinquish Hokkaido to its original owners, the Ainu. The tall, white and fair-haired Chachapoyas of the Andean forest have, alas, no remnants left to sue the Incas for genocide in a Peruvian court of law. The Aztecs, whether in Jalisco or Los Angeles, don 8767 t agonize over having taken what would become Mexico City from its original Culhuacan owners, with lots of grisly details. Yet for 88 years Neil has been reminding adoring audiences about 8775 Cortez the Killer 8776 , discreetly omitting Tlacaelel the killer and the killer people whom Cortez killed.
To stave off boredom, Turkish prisoners crafted snakes and lizards with bead crochet to give as presents or to sell as a means to better their daily lives. During the First World War, many of them made dozens of bead reptiles, some of these up to long!￼Imported from Japan or Bohemia, the beads come in an endless number of shades, transparencies and shimmers. Matt or shiny, smooth or faceted, they play with light like a stream’s water with the sun’s reflections.
Her designs are not only about the final product – Balloo produces each design just as she was giving a new life to each flower. The base is made from carefully selected fabrics, which she often dyes herself. The perfectly sharp shapes of her flowers are the outcome of precisely folded squares of clothes – the artist admits that origami technique is one of her main inspirations. The center part of these gentle little art pieces is finely decorated with vintage stamen and pistils. If that was not fascinating enough, even the names of each design are unique – Balloo names them after her favorite songs. With her honest devotion and personal input, these little blossoming accessories will soon bloom on every corner of the street, and not just in Paris. It’s spring let’s dress for it!
The paper bowls are fully absorbing their local environment, using natural spices and herbs from the local market for dying the paper in different hues. What makes these bowls so charming is the use of curcuma, coffee, paprika powder, sumac, carcade, palm leaf and mansaf green as color pigments, products which are usually used as a spice to change taste and to add flavor. The result of considering spices as color pigments for the process of paper dying is a sensory product that becomes alive. Each individual bowl evokes a different sensation, spreading culinary smells combined with beautifully dyed papers in resembling colors and touch.
The unwillingness of German judges to lock up unsocialized walking time-bombs already known to the police has claimed a victim in Cologne on New Year 8767 s Eve. Two criminal foreigners, free to terrorize their neighbors despite drug-related and violent crimes, killed a Turkish husband and father who tried to get them to behave. It happened in a sector of the city called Bickendorf a district notorious for years for immigrant violence and bordering on the thoroughly Islamized Ehrenfeld. There was also knife-play at night in the immigrant milieu of right-bank Cologne-Vingst, where 8775 Antifa 8776 pastor Meurer is collecting for the building of a mosque and reading masses against Pro-Köln. But no one was killed.